Yung Mei Ling smiled and spoke affectionately of her "macho man."
They protect each other and share flirtatious glances, with flowers in hand and a car that changes colour.
The romance between Kent Tong and Yung Mei Ling has reached a stage where it is openly acknowledged, if still somewhat discreet. Since her return to Hong Kong from a performance in Europe, Yung Mei Ling no longer avoids the camera. She appears with Kent Tong side-by-side, even willing to take couple photos with him.
“You should admit that taking pictures with Ah Tong doesn’t necessarily mean anything,” Yung Mei Ling said, smiling gently, revealing her bunny-like front teeth. She then added calmly, “No, we’re just good friends. I take photos with Wong Yat Wah, Choi Fung Wah, or even Miu, too.” However, in the eyes of those close to her, her relationship with Kent Tong was undeniable, even though Yung Mei Ling previously hesitated to take photos with him. Moving from avoiding photos together to allowing the media to capture them side by side signals something significant that she understands best.
“Isn’t Ah Tong a bit of a macho man?” a reporter asked, steering the conversation in another direction. She laughed, nodded slightly, and replied, “A little bit. Chinese men tend to have some machismo. But he doesn’t always show it.” Yung Mei Ling seemed to be defending Kent Tong, careful not to say anything that might hurt him. When two people are in love, they consider each other’s feelings in everything, and she was no different.
Once, when a reporter asked Yung Mei Ling to pose in swimwear, Kent Tong stepped in before she could respond, pretending it was a “matter of protocol.” He explained, “This isn’t a beauty pageant; why would she need to wear a swimsuit?” His serious tone gave the impression of a protective guardian.
Yung Mei Ling couldn’t help but laugh at this, adding, “I don’t have a great figure, so it wouldn’t make for good pictures anyway.” The way the two interacted—their glances and expressions—made their affection unmistakably clear. They would look at each other, then exchange smiles. Her gaze was filled with sweetness, and their smiles were full of love.
Although Kent Tong has his macho side, he also has a romantic streak. He not only acts as her “chauffeur,” which he sees as his duty as a boyfriend, but also brings her flowers from time to time, filling her with happiness. Kent Tong has put in considerable effort for Yung Mei Ling, even changing the colour of his beloved car from orange-red to white—partly to let go of an old relationship (since Deborah Moore preferred red), but mostly because he knew white was Yung Mei Ling’s favourite colour. This is why his white car is seen so often around town.
翁美玲含笑说她的 「大男人」
互相维护眉目传情 鲜花一枝跑车变色
汤业与翁美玲之恋, 已踏进公开、默认的阶段。 精美玲自欧洲登台返港 后,再不闪避记者的镜头, 汤业出双入对,更应体 比要求,拍一般双人的照片
「你应该承认与阿汤拍照,不能代表什么。」 拖啦!」直间翁美玲。 地微微一笑,露出兔仔牙,然后油淡定设「不是,我们只是好朋友, 叫我黄日华、蔡枫华、苗记忆中,他们拍极不久对阿汤已默默承认与翁美玲相好,但翁美玲却多次都不愿与同汤合照。由不愿合照,到任记者拍照,这代表什侨伟拍照亦可以的,一起拍,相信,翁美培最清楚,
饭票,她口硬,亦不想勉强话的。
「恋开阿汤是一个大男 人主义者,你觉得是吗?」 转另一种方式继续开。 地脸笑容,带点 地点点头,笑说:「少许戦 1中国男孩子多少都有大男 人主义的。不过,他不是经 常表露大男人主义的。」 翁美玲似乎在维护阿汤。 ,怕直言会伤害他。话说同 来,沐浴在爱河的男女,处 处都为爱侣着想,替爱侣
正如一次,一位记者向美玲提出拍泳装的要求, 阿翁未启齿,与汤已抢着巨前还要装是其传中「礼,大会的安排,只有无办。但现在不是参选港姐,为什么还要影泳装哩!」 他的语气很严肃,给人一种感觉,他像是阿翁的监护人
同新慢条斯理地看到满意为止,可惜,我不像 :「我的身段不好,若像码 她。」 运梦露一样,必让记者拍 一双恋爱中的男女,他
们的准动,眼神都会在告诉 别人,他们在相学中,还一 点是无从否认的 合同不自主打 看美的,同 打向阿汤后两人 相对而笑。一 甜美。 的眼神是充满爱笑容是 一 地两
虽然,阿汤有男人主义,但是,他亦极具浪漫的一面,楼同上, 其柴可夫斯基(义务司机) ,是基本对爱侣应做的外, 他不时一枝花给翁美玲,令同拿不时感到喜悦开心。 其实,同汤对还股情付出不少努力,他将心爱跑车的色调,由橙红色改为白色一是希望忘那段情(秋实摩亚是喜爱红色的),据悉另一主要原因是翁美玲是喜欢白色的路车所以经常看见
阿汤那辆白色车在
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